English writer (1946- )
Mystification is simple; clarity is the hardest thing of all.
JULIAN BARNES
Flaubert's Parrot
When we fall in love, we hope--both egotistically and altruistically--that we shall be finally, truly seen: judged and approved. Of course, love does not always bring approval: being seen may just as well lead to a thumbs-down and a season in hell.
JULIAN BARNES
Nothing to Be Frightened Of
You must write according to your feelings, be sure those feelings are true, and let everything else go hang.
JULIAN BARNES
Flaubert's Parrot
After a number of events, what is there left but repetition and diminishment? Who wants to go on living? The eccentric, the religious, the artistic (sometimes); those with a false sense of their own worth. Soft cheeses collapse; firm cheeses indurate. Both go mouldy.
JULIAN BARNES
Flaubert's Parrot
I never start by making up a bunch of characters and then wonder what might happen to them. I think of a situation, an impossible dilemma, a moral or emotional quandary, and then wonder to whom it might happen and when and where.
JULIAN BARNES
interview, The Guardian, January 29, 2018
Some of the freckles I once loved are now closer to liver spots. But it’s still the eyes we look at, isn’t it? That’s where we found the other person, and find them still.
JULIAN BARNES
The Sense of an Ending
This was another of our fears: that Life wouldn't turn out to be like Literature.
JULIAN BARNES
The Sense of an Ending
You've got to be responsible for your own happiness -- you can't expect it to come flopping through the door like a parcel.
JULIAN BARNES
Talking It Over
It strikes me that this may be one of the differences between youth and age: when we are young, we invent different futures for ourselves; when we are old, we invent different pasts.
JULIAN BARNES
The Sense of an Ending
When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.
JULIAN BARNES
Flaubert's Parrot
I think a great book--leaving aside other qualities such as narrative power, characterization, style, and so on--is a book that describes the world in a way that has not been done before; and that is recognized by those who read it as telling new truths.
JULIAN BARNES
The Paris Review, winter 2000
They are scarcely adult, some men: they wish women to understand them, and to that end they tell them all their secrets; and then, when they are properly understood, they hate their women for understanding them.
JULIAN BARNES
Flaubert's Parrot
How do you turn catastrophe into art? Nowadays the process is automatic. A nuclear plant explodes? We'll have a play on the London stage within a year. A President is assissinated? You can have the book or the film or the filmed book or booked film. War? Send in the novelists. A series of gruesome murders? Listen for the tramp of the poets. We have to understand it, of course, this catastrophe; to understand it, we have to imagine it, so we need the imaginative arts. But we also need to justify it and forgive it, this catastrophe, however minimally. Why did it happen, this mad act of Nature, this crazed human moment? Well, at least it produced art. Perhaps, in the end, that's what catastrophe is for.
JULIAN BARNES
A History of the World in 10 1/2 Chapters
What is the easiest, the most comfortable thing for a writer to do? To congratulate the society in which he lives: to admire its biceps, applaud its progress, tease it endearingly about its follies.
JULIAN BARNES
Flaubert's Parrot
In order to write the novel I’m committed to, I have to pretend that it’s not only separate from everything I’ve written before, but also separate from anything anyone in the history of the universe has written. This is a grotesque delusion and a crass vanity, but also a creative necessity.
JULIAN BARNES
The Paris Review, winter 2000
Everything you invent is true: you can be sure of that. Poetry is a subject as precise as geometry.
JULIAN BARNES
Flaubert's Parrot
Playing Cupid, I should have you know, isn’t just a matter of flying around Arcadia and feeling your tiny winkle throb when the lovers finally kiss. It’s to do with timetables and street maps, cinema times and menus, money and organisation. You have to be both jaunty cheerleader and lithe psychiatrist. You require the binary skill of being absent when present, and present when absent.
JULIAN BARNES
Talking It Over
When you’re young you prefer the vulgar months, the fullness of the seasons. As you grow older you learn to like the in-between times, the months that can’t make up their minds. Perhaps it’s a way of admitting that things can’t ever bear the same certainty again.
JULIAN BARNES
Flaubert's Parrot
Irony - The modern mode: either the devil’s mark or the snorkel of sanity.
JULIAN BARNES
Flaubert's Parrot
You can put it another way, of course; you always can.
JULIAN BARNES
The Sense of an Ending