WRITING QUOTES IV
quotations about writing
Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 27
Starting a new novel is a little like starting a new relationship -- you have to be prepared to commit for at least three years and put up with the domestic tedium as well as the emotional highs!
TOBSHA LEARNER
Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 37
interview, Australian Women's Weekly, May 11, 2009
Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 63
Each book starts from ashes.
PHILIP ROTH
interview with Cynthia Haven, "The Book Haven"
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.... The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days.
JOHN BANVILLE
The Paris Review, spring 2009
Fiction is the only way to redeem the formlessness of life.
MARTIN AMIS
Essays
Writing by hand, mouthing by mouth: in each case you get a very strong physical sense of the emergence of language--squeezed out like a well-formed stool--what satisfaction! what bliss!
WILLIAM H. GASS
The Paris Review, summer 1977
Rejections are painful, but inevitable. They're every writer's rite of passage.
OCTAVIA E. BUTLER
"Furor Scribendi", Bloodchild and Other Stories
A double noose thou on thy neck dost pull
For writing treason and for writing dull.
JOHN DRYDEN
Absalom and Achitophel
Novices in the art attain to finish of diction and precision of portraiture before they can construct the plot.
ARISTOTLE
Poetics
One of the things that writers very quickly learn to avoid is talking their work away. Talking about your work hardens it prematurely, and weakens the charge. You need to keep a fluid sense of the work in hand--it has to be able to change almost without your being aware that it's changing.
TOBIAS WOLFF
The Paris Review, fall 2004
I believe the first story I ever wrote was about a young girl who was terribly mistreated by her very cruel parents, and one day the girl fled to the woods to live amongst a pack of wolves. Hey, I was eleven, loved wolves, and had been grounded for what I felt was a minor infraction. Can you blame me?
VICTORIA LAURIE
Relate Magazine, April 1, 2011
Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.
MAYA ANGELOU
Facebook post, October 13, 2012
Cautious men have many adverbs, "usually," "nearly," "almost ": safe men begin, " it may be advanced " : you never know precisely what their premises are, nor what their conclusion is; they go tremulously like a timid rider; they turn hither and thither; they do not go straight across a subject, like a masterly mind.
WALTER BAGEHOT
Literary Studies
I am not at all in a humor for writing; I must write on till I am.
JANE AUSTEN
letter to Cassandra Austen, October 26, 1813
I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.
WILLIAM STYRON
The Paris Review, spring 1954
It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.
MARY OLIVER
The Christian Science Monitor, December 9, 1992
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
I will agree that inspired writing is liquid gold when it comes to getting our words on paper. However, only writing when one feels inspired is a quick way to produce little to no content. If we waited to exercise only when we felt inspired we likely wouldn't be getting much movement. When something isn't habit those feelings of inspiration start coming further and further in between.
DANIELLE SABRINA
"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016
All you have to do is write one true sentence. Write the truest sentence you know.
ERNEST HEMINGWAY
A Moveable Feast
You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.
MICHEL HOUELLEBECQ
The Paris Review, fall 2010
I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.
JO WALTON
interview, RT Book Reviews