quotations about writing
Every word written is a net to catch the word that has escaped.
JEANETTE WINTERSON
The Stone Gods
I am not at all in a humor for writing; I must write on till I am.
JANE AUSTEN
letter to Cassandra Austen, October 26, 1813
A writer is a reader moved to emulation.
SAUL BELLOW
attributed, The Hidden Writer
The art is never about what you write about. The art is about how you write about what you write about.
CHRIS ABANI
attributed, Stylistic Approaches to Nigerian Fiction
I think a good writer is a mix of confidence (sure that what they're writing is going to appeal to their readers) and uncertainty (what if all these words are crap?). If you're too confident, you get an attitude that seeps through into your writing, affecting the characters and the story. If you're too uncertain, you'll never finish anything.
CHARLES DE LINT
interview with Kim Antieau, April 28, 2008
One of the things that writers very quickly learn to avoid is talking their work away. Talking about your work hardens it prematurely, and weakens the charge. You need to keep a fluid sense of the work in hand--it has to be able to change almost without your being aware that it's changing.
TOBIAS WOLFF
The Paris Review, fall 2004
What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.
THOMAS WOLFE
Selections from the Works of Thomas Wolfe
I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character--the author will do well to entrust the reader with this part of the work.
JOSÉ SARAMAGO
The Paris Review, winter 1998
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
YEVGENY ZAMYATIN
The Goal
There's no such thing as perfect writing, just like there's no such thing as perfect despair.
HURAKI MURAKAMI
Hear the Wind Sing
It is hard to make a good documentary about writing. Writing is internal, it slowly takes shape in a mind, sometimes after the not very cinematic process of staring at a wall until the words come.
JULIA COOPER
"Obit doc examines the art of the obituary at The New York Times", The Globe and Mail, March 30, 2017
It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.
MARY OLIVER
The Christian Science Monitor, December 9, 1992
I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.
JO WALTON
interview, RT Book Reviews
I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
HURAKI MURAKAMI
Paris Review, summer 2004
You might get the impression that I have a mild contempt for storytelling, which is only somewhat true. For example, I really like Agatha Christie. She obeys the rules of the genre at first, but then occasionally she manages to do very personal things. In my case, I think I start from the opposite point. At first, I don't obey, I don't plot, but then from time to time, I say to myself, Come on, there's got to be a story. I control myself. But I will never give up a beautiful fragment merely because it doesn't fit in the story.
MICHEL HOUELLEBECQ
The Paris Review, fall 2010
To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.
ADRIENNE RICH
What Is Found There: Notebooks on Poetry and Politics
Completing a book, it's a little like having a baby.... There's a feeling of relief and satisfaction when you get to the end. A feeling that you have brought your family, your characters, home. Then a sort of post-natal depression and then, very quickly, the horizon of a new book. The consolation that next time I will do it better.
JOHN LE CARRÉ
interview, The Telegraph, August 31, 2010
Ideas are infinite--writers are hardwired to think that way. We keep it fresh by using new people, mixing character types and putting them in a different setting. It's always the first book all over again, but one idea can be told a thousand different ways. There are 88 keys on the piano, but you can make an infinite amount of music from those keys.
NORA ROBERTS
Time Magazine, November 29, 2007
Metaphors get under your skin by ghosting right past the logical mind.
JANE HIRSHFIELD
"The Art of Metaphor"
I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.
WILLIAM STYRON
The Paris Review, spring 1954