WRITING QUOTES X

quotations about writing

I'm an into-the-mist writer in terms of plotting, and my process in general is very intuitive. Since my series characters are well established, what usually happens is they start talking in my head, and I'd better grab a pad and pen or hit the digital recorder feature on my iPhone or get to the keyboard before it goes away.

ELIZABETH ZELVIN

interview, Kings River Life Magazine, May 2012

Tags: Elizabeth Zelvin


For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

Tags: Ursula K. Le Guin


Writers don't give prescriptions. They give headaches!

CHINUA ACHEBE

Anthills of the Savannah

Tags: Chinua Achebe


Clearly there is no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. An artist, in my definition of the word, would not be someone who takes sides with the emperor against his powerless subjects.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


Oh, I've discarded a great many [poems]. And occasionally I've discarded and then resurrected. I would find a crumpled yellow ball of paper in the wastebasket, in the morning, and open it to see what the hell I'd been up to; and occasionally it was something that needed only a very slight change to be brought off, which I'd missed the day before.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968

Tags: Conrad Aiken


Writing is a part of healing, of digging into society.

KHALED KHALIFA

"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017


Writing, in war and in peace, is the same thing. The only difference is how you view yourself.... Mass death, revolutions and history make you reconsider things.

KHALED KHALIFA

"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017


Writers, like teeth, are divided into incisors and grinders.

WALTER BAGEHOT

Estimates of Some Englishmen and Scotchmen

Tags: Walter Bagehot


To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain


There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.

EMILE ZOLA

letter to Cezanne

Tags: Emile Zola


If there is a special Hell for writers it would be in the forced contemplation of their own works.

JOHN DOS PASSOS

New York Times, October 25, 1959

Tags: John Dos Passos


It's not a bad thing for a man to have to live his life--and we nearly all manage to dodge it. Our first round with the Sphinx may strike something out of us--a book or a picture or a symphony; and we're amazed at our feat, and go on letting that first work breed others, as some animal forms reproduce each other without renewed fertilization. So there we are, committed to our first guess at the riddle; and our works look as like as successive impressions of the same plate, each with the lines a little fainter; whereas they ought to be--if we touch earth between times--as different from each other as those other creatures--jellyfish, aren't they, of a kind?--where successive generations produce new forms, and it takes a zoologist to see the hidden likeness.

EDITH WHARTON

"The Legend", Tales of Men and Ghosts

Tags: Edith Wharton


Usually, you don't know where a book comes from ... it's just there, some kind of an itch that you can't quite scratch.

CORMAC MCCARTHY

interview with Oprah Winfrey, June 1, 2008

Tags: Cormac McCarthy


I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite, and I try to learn as much as I can on my own before I show it to my editor at The New Yorker. I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.

DAVID SEDARIS

Oasis Magazine, June 2008


I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me -- the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.

ANAÏS NIN

diary, February 1954

Tags: Anaïs Nin


I can't avoid writing. It's a sort of nervous tic I have developed since I gave up needlepoint.

CLARE BOOTHE LUCE

"Fast and Luce", Vanity Fair, March 1988

Tags: Clare Boothe Luce


Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale's department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.

KURT VONNEGUT

attributed, Quit Your Day Job!

Tags: Kurt Vonnegut


The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.

HUNTER S. THOMPSON

The Paris Review, fall 2000


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

Tags: Amy Hempel


Fiction is the only way to redeem the formlessness of life.

MARTIN AMIS

Essays