WRITING QUOTES XXII

quotations about writing

You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.

HAROLD PINTER

The Progressive, March 2001

Tags: Harold Pinter


I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.

JEANETTE WINTERSON

The Paris Review, winter 1997

Tags: Jeanette Winterson


Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.

MARTIN AMIS

The Paris Review, spring 1998


I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.

MARTIN AMIS

The Paris Review, spring 1998


It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.

KINGSLEY AMIS

The Amis Collection: Selected Non-fiction

Tags: Kingsley Amis


I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.

JEFF ABBOTT

"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017

Tags: Jeff Abbott


I met a young woman the other day, and she said, what advice would you have for a writer, and I said it would be to work every day. But then she said, and how do you get to know someone like Ira Glass? And I said, that's not the point. You don't befriend people for that reason. I was just lucky and Ira happened to be in a place where I was reading one night and heard me read. I didn't invite him to come there. If I had gone out of my way to invite him, he probably wouldn't have come. Your job is to write. The rest of it will take care of itself. But, generally, it seems ... you know how that is, you meet people and they have a talent for self-promotion. Those are the pushy people. And you know their writing's not going to be any good, because that's not their talent.

DAVID SEDARIS

Oasis Magazine, June 2008


If there is an occupational hazard to writing, it's drinking.

CORMAC MCCARTHY

New York Times, April 19, 1992

Tags: Cormac McCarthy


One forges one's style on the terrible anvil of daily deadlines.

EMILE ZOLA

Le Figaro


What writers do is they tell their own story constantly through other people's stories. They imagine other people, and those other people are carrying the burden of their struggles, their questions about themselves.

TOBIAS WOLFF

Fiction Writers Review, April 5, 2009

Tags: Tobias Wolff


I like to have a hero a little underpowered. I mean, Spiderman is far cooler than Superman. How do you challenge Superman?

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010

Tags: Patricia Briggs


All good writing is swimming under water and holding your breath.

F. SCOTT FITZGERALD

undated letter to his daughter "Scottie"

Tags: F. Scott Fitzgerald


The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it."

EDWARD ALBEE

interview with Digby Diehl, 1963


Writing is a kind of centering, a kind of meditation. I find it to be profoundly rewarding. Actually, I'm an addict. If I go too long, and so far that hasn't been longer than a week, I start to feel unsettled, nervous. I begin to feel that I'm not engaged, a disconnection is threatening my world, that I'm being passed by and I'm both failing myself and the world by not writing about it.

WALTER BARGEN

"An interview with Walter Bargen, first poet laureate of Missouri"

Tags: Walter Bargen


Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.

MARCEL PROUST

Within a Budding Grove

Tags: Marcel Proust


Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.

YEVGENY ZAMYATIN

Theme and Plot

Tags: Yevgeny Zamyatin


A good writer can watch a cat pad across the street and know what it is to be pounced upon by a Bengal tiger.

JOHN LE CARRÉ

attributed, The Twilight and Other Zones

Tags: John le Carré


I couldn't imagine, and I don't say this with any pride, but I really couldn't imagine writing without a desperate deadline.

HUNTER S. THOMPSON

The Paris Review, fall 2000


My plots are always rudimentary. Whatever I've accomplished certainly does not depend on my virtuosity with plot. Generally I don't even have a plot. What happens is that my characters engage in an action, and out of that action little bits of plot sometimes adhere to the narrative. I never have to worry about lifting a plot, because I don't conceive of a book that way.

NORMAN MAILER

The Paris Review, winter-spring 1964