WRITING QUOTES XXVI

quotations about writing

I've found it incredibly helpful to make writing a routine. I don't sit down with the intention of creating an article that goes viral or some savvy sales page. I sit down and force myself to get my thoughts out on paper or in my laptop. If we choose the same time everyday our physiology is automatically going to start getting prepared to allow thoughts to flow to paper. After awhile of doing this you might even find that your ideas start coming to you shortly before you're scheduled writing time. I've found myself skipping my morning tea because I had such great ideas/thoughts and wanted to quickly get them out of my head and onto paper.

DANIELLE SABRINA

"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016


We live in a world ruled by fictions of every kind--mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.

J. G. BALLARD

Crash

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Brevity is the sister of talent.

ANTON CHEKHOV

letter to A. P. Chekhov, April 11, 1889

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The art of the word is painting + architecture + music.

YEVGENY ZAMYATIN

The New Russian Prose

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I realized that I wanted to be a writer. But I wasn't sure I would be until I was fifteen or so. At that time I had immodestly started sending stories to magazines and literary quarterlies. Of course no writer ever forgets his first acceptance; but one fine day when I was seventeen, I had my first, second, and third, all in the same morning's mail. Oh, I'm here to tell you, dizzy with excitement is no mere phrase!

TRUMAN CAPOTE

The Paris Review, spring-summer 1957


When I write, I go to live inside the book. By which I mean, mentally I can experience everything I'm writing about. I can see it, hear its sounds, feel its heat or rain. The characters become better known to me than the closest family or friends. This makes the writing-down part very simple most of the time. I only need to describe what's already there in front of me. That said, it won't be a surprise if I add that the imagined worlds quickly become entangled with the so-called reality of this one. Since I write almost every day, and I think (and dream) constantly about my work, it occurs to me I must spend more time in all these places than here.

TANITH LEE

author's note, Wolf Tower


When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


Writing is nothing more than a guided dream.

JORGE LUIS BORGES

preface, Dr. Brodie's Report

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The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.

ROBERT STONE

attributed, A Writer's Book of Days


It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

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There is absolutely everything in great fiction but a clear answer.

EUDORA WELTY

On Writing

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Writers, especially when they act in a body and with one direction, have great influence on the public mind.

EDMUND BURKE

Reflections on the Revolution in France

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The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.

ARISTOTLE

Poetics

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I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.

ELIF BATUMAN

The Paris Review, winter 2012


As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.

SARAH DESSEN

interview, Puffin Books

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I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.

LOUIS AUCHINCLOSS

interview, Bomb Magazine, fall 1997

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The world is a hellish place, and bad writing is destroying the quality of our suffering. It cheapens and degrades the human experience, when it should inspire and elevate.

TOM WAITS

"Strange Innocence", Vanity Fair, July 2001

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I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.

JEFF ABBOTT

"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017

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One writes out of one thing only--one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.

JAMES BALDWIN

Notes of a Native Son

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If I cannot be myself in what I write, then the whole is nothing but lies and humbug.

HENRIK IBSEN

letter to Björnstjerne Björnson, September 12, 1865