WRITING QUOTES XV

quotations about writing

The factors controlling a writer's popularity are as mysterious and ultimately as unknowable as the number of stars in the sky.

SAMUEL R. DELANY

interview, SF Site, April 2001

Tags: Samuel R. Delany


Good writers define reality; bad ones merely restate it.

EDWARD ALBEE

Saturday Review, May 4, 1966


There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.

MIGUEL DE CERVANTES

Don Quixote

Tags: Miguel de Cervantes


How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?

GASTON BACHELARD

The Poetics of Reverie: Childhood, Language, and the Cosmos

Tags: Gaston Bachelard


In his text, the writer sets up house. Just as he trundles papers, books, pencils, documents untidily from room to room, he creates the same disorder in his thoughts. They become pieces of furniture that he sinks into, content or irritable.

THEODOR W. ADORNO

Minima Moralia


Nothing bad can happen to a writer. Everything is material.

PHILIP ROTH

attributed, Literary Agents: How to Get & Work With the Right One For You


Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.

KELLY LINK

interview, Apex Magazine, July 2, 2013

Tags: Kelly Link


I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

MARKUS ZUSAK

The Book Thief


I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.

PETER CAREY

The Paris Review, summer 2006

Tags: Peter Carey


When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997


The purpose of a writer is to keep civilization from destroying itself.

ALBERT CAMUS

attributed, 2012: Waking of the Prophets

Tags: Albert Camus


I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.

EUDORA WELTY

The Paris Review, fall 1972


All Writing Is Garbage. People who come out of nowhere to try to put into words any part of what goes on in their minds are pigs. The whole literary scene is a pigpen, especially today.

ANTONIN ARTAUD

Selected Writings

Tags: Antonin Artaud


It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.

LOUISE ERDRICH

The Paris Review, winter 2010


I know exactly what I want to write. I do not write until I do. Usually I write it all down only once. And that goes relatively quickly, since it really depends only on how fast I type.

HANNAH ARENDT

interview, ZDF TV, Zur Person, October 28, 1964

Tags: Hannah Arendt


A writer should be able to express himself easily, naturally, copiously in a form that frees his mind, his energies. Why should he hobble himself with formalities?

SAUL BELLOW

The Paris Review, winter 1966


Gotta have a head like a wrecking ball, a spirit like one of them punching clown dummies that always weeble-wobbles back up to standing. This takes time. Stories need to find the right home, the right audience. Stick with it. Quitting is for sad pandas.

CHUCK WENDIG

250 Things You Should Know About Writing

Tags: Chuck Wendig


Often I think writing is a sheer paring away of oneself leaving always something thinner, barer, more meager.

F. SCOTT FITZGERALD

letter to "Scottie" Fitzgerald, April 27, 1940


There's something paralyzing about being a writer that you have to escape.... The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.

NICHOLSON BAKER

interview, Interview Magazine, September 16, 2013

Tags: Nicholson Baker


Whether 10 or 1,000 people are listening is irrelevant. Writing is an investment in your future and your potential.

BIANCA BASS

"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016