quotations about writing
Fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself. This is not to say you are passive. You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens. You have to write the story you find in the circumstances you've created, because more often than not the ducks don't show up. The hunters in the next blind begin to argue, and you realize they're in love. You see a snake swimming in your direction. Your dog begins to shiver and whine, and you start to think about this gun that belonged to your father. By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
ANN PATCHETT
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What Now?
Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.
JACK LONDON
"Getting Into Print", Editor magazine, 1903
A writer should be able to express himself easily, naturally, copiously in a form that frees his mind, his energies. Why should he hobble himself with formalities?
SAUL BELLOW
The Paris Review, winter 1966
Yet do not miss the moral, my good men.
For Saint Paul says that all that's written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still.
GEOFFREY CHAUCER
The Canterbury Tales
Writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational.
JAMES M. CAIN
The Paris Review, spring-summer 1978
Writers are made--forged, really, in a kiln of their own madness and insecurities.
CHUCK WENDIG
250 Things You Should Know About Writing
The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.
ANAÏS NIN
attributed, French Writers of the Past
Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?
CYRIL CONNOLLY
Enemies of Promise
My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane.
GRAHAM GREENE
International Herald Tribune, October 7, 1977
I've come to believe that a huge part of getting better at writing is forcing yourself to see the things that have been in the corner of your eye all along. That means writing stories that include characters from other cultures and backgrounds--but also, being more open to other viewpoints in general. It also means interrogating all of your other lazy ideas and drilling into all of the "of courses" that you let yourself get away with.
CHARLIE JANE ANDERS
"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016
I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
MARKUS ZUSAK
The Book Thief
I have not felt in a humor to entertain you if I had taken up my pen. Perhaps some unbecoming invective might have fallen from it.
ABIGAIL ADAMS
letter to John Adams, May 7, 1776
He that writes to himself, writes to an eternal public.
ELIZA COOK
Diamond Dust
You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
KELLY LINK
"A Vampire is a Flexible Metaphor: An Interview with Kelly Link", Gigantic Magazine, October 23, 2013
Writing is -- at least for me -- movement forward, the conquest of a body that I do not know at all, away from something to something that I do not yet know; I never know what will happen -- and here 'happen' is not intended as plot resolution, in the sense of classical dramaturgy, but in the sense of a complicated and complex experiment that with given imaginary, spiritual, intellectual and sensual materials in interaction strives -- on paper to boot! -- towards incarnation.
HEINRICH BÖLL
Nobel Lecture, May 2, 1973
When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.
DANIEL GRIFFIN
"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016
We live in a world ruled by fictions of every kind--mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
J. G. BALLARD
Crash
The industry is a terrible, cold place run by people who love to tear writers apart. Rejection is the norm, which means writing is the act of falling madly, deeply in love with your characters and story, even knowing you'll probably get your heart broken for it.
COREY MANDELL
"Beware the Writing Zombies", Huffington Post, February 25, 2016
The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.
HUNTER S. THOMPSON
The Paris Review, fall 2000
Should novels generally be 600 pages? No, they should not. Half of writing, maybe 3/4 of writing, is editing. This seems to be a thing that has not gotten through to them. It's my impression that you could get rid of half of most of these books. These people are not good enough to be this long, but they're apparently also not good enough to be shorter.
FRAN LEBOWITZ
interview, Ruminator Magazine, August/September 2005