quotations about writing
I can't write five words but that I change seven.
DOROTHY PARKER
The Paris Review, summer 1956
Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.
SIMON ARMITAGE
"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017
Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.
TIM LEBBON
interview, The Horror Zine
Fundamentally, all writing is about the same thing. It's about dying, about the brief flicker of time we have here, and the frustration it creates.
MORDECAI RICHLER
attributed, Mordecai & Me
Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.
KOBO ABE
The Frontier Within
Writing is a conversation, to me. The best kind. You can't get interrupted.
GERALD ASHER
speech at the Symposium for Professional Wine Writers, February 2011
When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.
NICHOLSON BAKER
interview, Interview Magazine, September 16, 2013
Theatre and publishing worship either precocious young writers or mute dead ones.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
I would quit while you're ahead. Really, it's an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it's not any good. I would say just stop now. You don't want to do this to yourself. That's my advice to you.
PHILIP ROTH
advice to a young writer, "Writer meets Roth", New York writer Julian Tepper's blog
I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.
NORMAN MAILER
attributed, The Writer's Quotation Book
I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.
ELIF BATUMAN
The Paris Review, winter 2012
I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.
JEFF ABBOTT
"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017
I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.
ADAM RAPP
interview, Bomb Magazine, spring 2006
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
JEFF ABBOTT
Publisher's Weekly, May 30, 2011
Every character is an extension of the author's own personality.
EDWARD ALBEE
The New York Times, September 18, 1966
A writer can be compared to a well. There are as many kinds of wells as there are writers. The important thing is to have good water in the well, and it is better to take a regular amount out than to pump the well dry and wait for it to refill.
ERNEST HEMINGWAY
The Paris Review, spring 1958
Writers, especially when they act in a body and with one direction, have great influence on the public mind.
EDMUND BURKE
Reflections on the Revolution in France
Wearing down seven number-two pencils is a good day's work.
ERNEST HEMINGWAY
The Paris Review, spring 1958
To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
The reason why so few good books are written is, that so few people who can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.
WALTER BAGEHOT
Shakespeare: The Man