WRITING QUOTES XXXII

quotations about writing

Keep your head down, avoid all the distractions of being a writer today--all the shifts in the business, all the drama, all the debating about where publishing is going--and write the best story that you can. It sounds a bit glib, but I think this is advice a lot of people are having trouble following right now. It is so hard to focus. But that is the single key to success.

JEFF ABBOTT

The Big Thrill, June 30, 2013

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If you are to become a writer you'll have to stop fooling with words.

SHERWOOD ANDERSON

"The Teacher", Winesburg, Ohio

Tags: Sherwood Anderson


I spend a lot of time loathing the sentences that I put down on the page. Once I'm past that phase, it doesn't really matter what the routine is (coffee shop, someone else's house, my dining room table), I'm pretty fast. I go back to the start of whatever I'm working on, every half hour or so, and revise my way back to where I left off. I have my headphones on, I'm checking email, I look at Twitter and Tumblr, and drink a lot of coffee. I need a lot of distraction to work.

KELLY LINK

interview, Electric Lit, February 6, 2015

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Every character is an extension of the author's own personality.

EDWARD ALBEE

The New York Times, September 18, 1966

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Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.

HENRY WADSWORTH LONGFELLOW

Table-Talk

Tags: Henry Wadsworth Longfellow


As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013


In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.

ALI MADEEH HASHMI

"The art of writing", The News on Sunday, March 11, 2017


I truly believe that writing is a continuum--so the different genres and forms are simply stops along the same continuum. Different ideas that need to be expressed sometimes require different forms for the ideas to float better.

CHRIS ABANI

interview, UTNE Reader, June 2010

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You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.

CHUCK WENDIG

The Kick-Ass Writer

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There's no magic bullet for being a decent writer, or making people bond with your characters or fall in love with your story. Writing is a million different skills and challenges, and each story is different. But the more I struggle to make this work, the more I think there's one key thing that makes writing more excellent: Finding your own blind spots as an author, and trying to see into them.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions -- is he tall, is he short? -- he had better quit.

REX STOUT

The New York Times, November 15, 1953


I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.

SAM SHEPARD

The Paris Review

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I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.

NORMAN MAILER

attributed, The Writer's Quotation Book


Better to write for yourself and have no public, than to write for the public and have no self.

CYRIL CONNOLLY

The New Statesman, February 25, 1933


A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

ERNEST HEMINGWAY

Death in the Afternoon


Writing is always a rough translation from wordlessness into words.

CHARLES SIMIC

attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between


Some writers, of course, simply write, as they feel they are driven to do, by outer/inner inspirations. If, after the work is written and, hopefully, published, others respond -- that is the Champagne. But we, or some of us, don't write for the Champagne. We write because we write.

TANITH LEE

interview, Intergalactic Medicine Show

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Some writers love to boast that they can write anywhere: in a cafe, in a park -- some can probably write underwater in a cage with sharks circling. But again it smacks of the cultivated self-image. JK Rowling writing in a café with a baby = potential mythology? Hemingway famously claimed that he could create anywhere, explaining, "the only good place to work is your head" -- but we all know what he did to his head in the end.

ROSEMARY JENKINSON

"Writing is not about youth but about spark", Irish Times, March 27, 2017


I'm writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles.

SHANNON HALE

attributed, The Novel-Writing Plan


Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.

TIM LEBBON

interview, The Horror Zine

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