WRITING QUOTES XXVIII

quotations about writing

I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.

JEFF ABBOTT

Publisher's Weekly, May 30, 2011


I think writing for me has always been a matter of fear. Writing is fear and not writing is fear. I am afraid of writing and then I'm afraid of not writing.

FRAN LEBOWITZ

"In Conversation: Fran Lebowitz with Phong Bui", The Brooklyn Rail, March 4, 2014

Tags: Fran Lebowitz


I would quit while you're ahead. Really, it's an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it's not any good. I would say just stop now. You don't want to do this to yourself. That's my advice to you.

PHILIP ROTH

advice to a young writer, "Writer meets Roth", New York writer Julian Tepper's blog


In the mental disturbance and effort of writing, what sustains you is the certainty that on every page there is something left unsaid.

CESARE PAVESE

This Business of Living, May 4, 1942

Tags: Cesare Pavese


Keep your head down, avoid all the distractions of being a writer today--all the shifts in the business, all the drama, all the debating about where publishing is going--and write the best story that you can. It sounds a bit glib, but I think this is advice a lot of people are having trouble following right now. It is so hard to focus. But that is the single key to success.

JEFF ABBOTT

The Big Thrill, June 30, 2013

Tags: Jeff Abbott


The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.

RAY BRADBURY

Fahrenheit 451


The old, slow, creaking descriptions are a thing of the past; today the rule is brevity -- but every word must be supercharged, high-voltage.

YEVGENY ZAMYATIN

A Soviet Heretic

Tags: Yevgeny Zamyatin


The pen is mightier than the sword.

EDWARD BULWER LYTTON

Richelieu

Tags: Edward Bulwer Lytton


There is absolutely everything in great fiction but a clear answer.

EUDORA WELTY

On Writing

Tags: Eudora Welty


Trouble not thyself about the fate of thy writings: if what thou hast writ be worth preserving, no flood, however mighty, can sweep it away; if it be worthless, no ink, however prepared, can make it indelible.

IVAN PANIN

Thoughts

Tags: Ivan Panin


When I first started I was obsessed--putting in 16 hours a day, seven days a week, and loving it. My in-laws told my husband that perhaps he should get some help for me. Once the book was published it was OK because writers can be a little crazy.

JEAN M. AUEL

interview, goodreads, April 2011

Tags: Jean M. Auel


A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.

SAUL BELLOW

Nobel lecture, December 12, 1976


As the deadline looms, my quality of writing is in danger of declining all because I just had to check my email.

GERI SPIELER

"The Dangers of Distracted Writing", Huffington Post, February 28, 2016


Brevity is the sister of talent.

ANTON CHEKHOV

letter to A. P. Chekhov, April 11, 1889

Tags: Anton Chekhov


Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.

VIRGINIA WOOLF

A Room of One's Own

Tags: Virginia Woolf


I don't like to write from a flat, cold position. You must like what you're doing very much or like the people -- either like them or hate them. You can't be indifferent.

SAUL BELLOW

Q & A at Howard Community College, February 1986


I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.

NORMAN MAILER

attributed, The Writer's Quotation Book


I've always considered writing the most hateful kind of work. I suspect it's a bit like f***ing -- which is fun only for amateurs. Old whores don't do much giggling.

HUNTER S. THOMPSON

The Great Shark Hunt: Strange Tales from a Strange Time

Tags: Hunter S. Thompson


My approach to revision hasn't changed much over the years. I know there are writers who do it as they go along, but my method of attack has always been to plunge in and go as fast as I can, keeping the edge of my narrative blade as sharp as possible by constant use, and trying to outrun the novelist's most insidious enemy, which is doubt.

STEPHEN KING

foreword, The Gunslinger

Tags: Stephen King


Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.

ALEX GARLAND

interview with Dennis Widmyer, July 30, 2007

Tags: Alex Garland